Tuesday, April 22, 2008

Community Service Hours On Sunday

Director: YAMILA UZORSKIS



• Born in Buenos Aires in 1972. Career and training are drawn by two different but converging paths: the body and the scene on one side, the visual arts on the other. He trained at the Escuela Nacional de Bellas Artes Pueyrredón Prilidiano specializing in engraving at the School Ernesto de la Cárcova in escultura.Es circus artist, dancer and teacher. She studied modern dance with Iasparra Viviana Ines Vernengo, Marta Perez Catan, Classical Dance and Soledad Núñez Gabriela Alfaro, Alfredo Gurquel Stretch, analysis and composition with Gerardo Litvak work, Experimentation Scenic Mabel Dai Chee Chang Guillermo Training actors Angelelli, Clown and Mask with Raquel Socolowicz Neutra. Was a gymnast Federated Western Railway Club, belonged to the Swing team of German Riding Club. Acrobat shows Gerardo Hochman and member of several companies including The Trump (Argentina) (Actual "The Arena"), Acrobats in the air (Argentina) and Sinnflut (Germany). Was selected to participate in the Experience of Technology and Free School in the Seminary of Sargadelos (Spain) and the International Center of Ceramic Art "texture" in Asturias, Spain. In 2000 he founded his Centre for Circus and Dance The Installation-Sculpture Space for Action-a place designed to work on ground and air acrobatics, which also physical training classes offered, experimentation stage, dance and yoga. There, the artist investigates various creations in exploratory work profoundly interdisciplinary character, product of working with artists that marked the construction of its language: Omar Estela Gomez and Mireya Pájaro Baglieto.Es the author of "Passage" (solo dance, voice and movement) which premiered at the Centro Cultural Ricardo Rojas and Living Matter, which began as an urban intervention in several cities in Europe and at festivals in Italy Caorle Ferrara and then be selected and co-produced by Ricardo Rojas Cultural Center for its staging. Living Matter in 2006 involved the IV Festival of Contemporary Dance in Buenos Aires and then to tour Mexico, Peru, San Martin de los Andes and Bariloche, participating in various festivals. In 2008 premiered String Instrument, Prodanza supported.
• In 2009 re-release these last two works with the support of the Metropolitan Fund for the Arts, at the Centro Cultural Borges, in late May and June.









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